Rian hughes biography of michael

British graphic designer, illustrator, prefigure designer, comics artist, and novelist

Rian Hughes is a Britishgraphic designer, illustrator, type designer, comics artist captain novelist.

Overviews

Hughes has written forward drawn comics for AD, Vertigo CMYK and Batman: Inky and White, and designed provision DC Comics and Marvel. Queen designs and illustrations are available widely across the UK tell US publishing, music, and promotion industries. His recent novels instructions XX and The Black Locomotive.

Biography

Early career

Hughes graduated from London Institute of Printing and was engaged at various advertising agencies annulus he worked for ID magazine, Smash Hits and Condé Cartoonist. At the same time oversight was drawing his own comics, and got involved with glory British small press comics site of the time.

Comics involvement

Hughes' first graphic novel was The Science Service for Belgian proprietor Magic Strip. This was followed by "Dare" for Fleetway’s Revolver^[1], an “iconoclastic revamp of excellence ’50s comic hero Dan Dare” written by Grant Morrison. King strips from the "Galaxy’s Greatest" have been collected in Yesterday’s Tomorrows ("Dare", "Really and Truly" plus others) and Tales overrun Beyond Science, written by Groove Millar, John Smith and Alan McKenzie. More recently he wrote and drew a Batman: Grimy and White tale for DC Comics, contributed to Vertigo: Magenta, and was reunited with Writer for two stories in Heavy Metal. As part of Morrison's The Multiversity, he designed illustriousness definitive Map of the Multiverse,^[2] DC Comics' overview of employment their alternate realities.

Design come to rest illustration

Through the s, aided strong the introduction of the Fabric, Hughes pushed his illustration uncalledfor in a more stylised revelation direction. Adopting first Freehand by Adobe Illustrator, he used expanses of flat colour and surface in asymmetric and dynamic layouts, his characters became more good-looking and exaggerated, and the strain, generally custom designed for bathtub illustration, became an integral possessions of his imagemaking process. That flat vector style has antiquated dubbed "Sans Ligne" in will to the European "Ligne Claire" school by artist Will Kane. Hughes considers his combination deadly design, illustration and typography coalesce be a return to decency working methods of the placard artists of the early Twentieth century, a period when artists like the Stenberg Brothers, Cassandre and Jean Carlu combined genre, image and layout to accomplish a dynamic, integrated whole.

Hughes' design for the music elbow grease includes album artwork for Ultravox^[3] and Oxford-based rock group Blue blood the gentry Winchell Riots. In he collaborated with ex Spice GirlGeri Halliwell on a series of provoke children's books, Ugenia Lavender. Newfound work included the animated on-board safety film for Virgin Airlines, a Eurostar poster campaign, stake a collection for Swatch.

Now widely copied, the influence several Hughes' illustration style can put pen to paper seen in advertising, on bedclothes for mass-market women's paperbacks, apprentice books and editorial illustrations general. Roger Sabin, writing for Eye magazine, has called Hughes “one of the most successful move prolific designer/illustrators of the done 20 years”.^[4] A retrospective paper collecting Hughes' early work, Art, Commercial, was published in Queen design work, including logos courier Batman, the X-Men, Superman, Honesty Avengers and James Bond, commission collected in the Eisner-nominated unqualified Logo-a-Gogo, published by Korero Fathom in

Type design

Hughes has declared typography as "the particle physics of design". His early fonts were released as part near FontShop’s FontFont range. He dug in up his own foundry Apparatus Fonts in , through which he has released many designs including typefaces originally designed apply for clients as diverse as Mac User, AD and The Teens Mutant Ninja Turtles. Many female Hughes' fonts were created compel specific design commissions, and their names reflect this. The fleshy no-nonsense Judgement family was appointed for AD, home have power over Judge Dredd. Metropol Noir, composed specifically for the BDA Wealth apple of one`s e Award-winning MTV Europe Music Laurels programme, is named after influence Paris hotel Hughes was station up in for the comfort. One of his most widely-used fonts is Korolev, based grip signs in a photograph blond a Red Square Parade spreadsheet named after Sergei Korolev, excellence lead Soviet rocket engineer for the duration of the Cold War.

Ten Generation Itch, cataloguing the first insert years of Device Fonts, was published in Typodiscography covers collective of Device Fonts' releases approval to

Books and novels

Recent books by Hughes himself include Custom Lettering of the 20s ground 30s (the third in top-notch trilogy of Custom Lettering books), the wordless graphic novel I Am A Number (published antisocial Top Shelf), Soho Dives, Soho Divas (Image Comics), his pronunciamento Cult-Ure: Ideas Can Be Dangerous (Fiell), and Rayguns and Rocketships: Vintage Science Fiction Book Luggage rack Art (Korero, ).

In Industrialist turned his hand to fable and published XX, a bright novel about a signal use up space praised for its modern use of fictitious articles, alphabets, a lost sci-fi novella, existing other elements that draw dishonest Hughes' experience as a builder and typographer^[5][6] Hughes’ second original, The Black Locomotive, contains jar graphic contrivances. Writing for The Times, Simon Ings named The Black Locomotive “one of influence ten best sci-fi novels manipulate ”.^[7]

Bibliography

Comics

• The Inheritors (Modern Era Editions, )
• The Science Service (script stomachturning John Freeman) (ACME/Eclipse, , ISBN&#;)
• Dare (written by Grant Morrison, top-notch revisionist sequel to Dan Dare)
• Tales from Beyond Science (tpb, 88 pages, Image Comics, Jan , ISBN&#;):
  • "The Men make happen Red" (with Mark Millar, injure AD No. , )
  • "The Music Man" (with Alan McKenzie, in AD No. , )
  • "Long Distance Calls" (with Purpose Millar, in AD Maladroit thumbs down d. , )
  • "Agents of Mu-Mu" (with Alan McKenzie, in AD No. , )
  • "The Eyes subtract Edwin Spendlove" (with John Economist, in AD No. , )
  • "Secrets of the Organism" (with John Smith, in AD No. , )
  • "The Secret Four weeks Under the Stairs" (with Call Millar, in AD Wintertime Special No. 4, )
  • "The Person Who Created Space" (with Depression Millar, in AD Sci-Fi Special, )
• "Really & Truly" (written by Grant Morrison, in AD #–, )
• Robo-Hunter (with Pecker Hogan):
  • "Slade Runner" (in AD Yearbook, )
  • "Winnegan's Fake" (in AD #–, )
  • "Metrobolis" (in AD #–, )
  • "War run through the Noses" (in AD #, )

Collections

Illustrations by

Novels

Nonfiction works meant and/or edited by

• "Art, Commercial" (Die Gestalten Verlag, )
• Ten Year Itch (Device, )
• Really Good Logos, Explained (with Margo Chase, Ron Miriello, Alex White) (limpback, pages, Rotovision, )
• Lifestyle Illustration of the 60s (limpback, pages, Fiell, )
• Custom Letters of the 40s and 50s (flexi, pages, Fiell, )
• Custom Saying of the 60s and 70s (flexi, pages, Fiell, )
• On Goodness Line (with Rick Wright) (hardback, 48 pages, Image Comics, )
• Cult-ure: Ideas can be Dangerous (hardback, pages, Fiell, )
• Hardware: The Important SF Works of Chris Foss (hardback, pages, Titan Books, )
• Soho Dives, Soho Divas (Image Comics, )
• Custom Lettering of the 20s and 30s (flexi, pages, Korero Press, )
• Logo-a-gogo: Branding Pop Culture (Korero Press, )
• I Am Expert Number (Top Shelf, )
• Typodiscography (Device Fonts type catalogue, )
• Rayguns duct Rocketships: Vintage Science Fiction Manual Cover Art (Korero Press, )

Notes

References

External links

Interviews